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	<title>JMBaldwin.co.uk - Music, Photos and News from Composer Joel Baldwin</title>
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	<description>Musician, Composer and Photographer based in South West London: Compositions, Photographs and Blog Articles</description>
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		<title>Composition for Screen Showreel</title>
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		<pubDate>Thu, 05 Jan 2012 12:01:40 +0000</pubDate>
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				<category><![CDATA[Music]]></category>
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		<description><![CDATA[Joel Baldwin Composition Showreel from Joel Baldwin on Vimeo.]]></description>
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		<title>The Baroque Problem of Time</title>
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		<pubDate>Wed, 28 Sep 2011 23:57:24 +0000</pubDate>
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				<category><![CDATA[Music]]></category>
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		<description><![CDATA[I was reading a book today called Neo-Baroque: A Sign of the Times by Omar Calabrese (Princeton, 1992) and found the following quote, which is not only relevant to the past articles about Time but relates to both Music and Photography too: &#8216;Another example of how we have moved beyond a threshold in out perception [...]]]></description>
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		<title>Camera Obscura for 4 Violins</title>
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		<pubDate>Thu, 02 Jun 2011 23:24:50 +0000</pubDate>
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		<description><![CDATA[Camera Obscura is a composition for 4 amplified violins and film and is a kind of homage to light, relating the process of capturing and recording light to music. An abstract camera appears after a blinding flash of light and, after a series of blurs and blinks, the picture of a lifeform appears in the [...]]]></description>
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		<title>Xenakis: Time Travelling Tragedy</title>
		<link>http://www.jmbaldwin.co.uk/xenakis-time-travelling-tragedy</link>
		<comments>http://www.jmbaldwin.co.uk/xenakis-time-travelling-tragedy#comments</comments>
		<pubDate>Tue, 17 May 2011 23:45:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music]]></category>

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		<description><![CDATA[Continuing on the theme of Time in music, a thought on the music of Xenakis: &#8216;Ultimately, it seems Xenakis&#8217; spirit was consumed by the music that is outside the scope of Time, but it is also clear that he was fascinated by the effect of pure rhythm and the prosody of language to awaken our [...]]]></description>
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		<title>Time and its Perception in Music</title>
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		<comments>http://www.jmbaldwin.co.uk/time-and-its-perception-in-music#comments</comments>
		<pubDate>Fri, 01 Apr 2011 23:19:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.jmbaldwin.co.uk/?p=293</guid>
		<description><![CDATA[Some quotes (written and musical) concerning the nature of Time in music: ‘What is time for a musician? What is the flux of time which passes invisibly and impalpable? In truth, we seize it only with the help of perceptive reference-events, thus indirectly, and under the condition that these reference-events be inscribed somewhere and do [...]]]></description>
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		<title>The Combination of Music and Words</title>
		<link>http://www.jmbaldwin.co.uk/the-combination-of-music-and-words</link>
		<comments>http://www.jmbaldwin.co.uk/the-combination-of-music-and-words#comments</comments>
		<pubDate>Sun, 20 Mar 2011 22:37:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music]]></category>

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		<description><![CDATA[An extract from a recent article I wrote about the dramatic effect of words in Louis Andriessen&#8217;s De Materie: &#8216;It is the meaning we derive from words &#8211; and all kinds of human utterancs &#8211; that makes speech a dramatic medium. Yet music itself does not say anything at all; it cannot literally add meaning&#8230; [...]]]></description>
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		<title>The Rise of Minimalism in Film Music</title>
		<link>http://www.jmbaldwin.co.uk/the-rise-of-minimalism-in-film-music</link>
		<comments>http://www.jmbaldwin.co.uk/the-rise-of-minimalism-in-film-music#comments</comments>
		<pubDate>Tue, 16 Mar 2010 22:41:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music]]></category>

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		<description><![CDATA[Last year I wrote an essay about the increasing amount of minimalist soundtracks and film scores. I thought it was about time I shared some of the questions and ideas I explored in my research. Non-representational or uniquely expressive? &#8230; Pschological effects of minimal music &#8230; Non-narrative or or useful for structure and development? &#8230; [...]]]></description>
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		<title>The Little Match Seller</title>
		<link>http://www.jmbaldwin.co.uk/the-little-match-seller</link>
		<comments>http://www.jmbaldwin.co.uk/the-little-match-seller#comments</comments>
		<pubDate>Mon, 02 Nov 2009 23:27:47 +0000</pubDate>
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				<category><![CDATA[Videos]]></category>

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		<description><![CDATA[In 2008, I discovered a wonderful silent film called The Little Match Seller (Dir. James Williamson, 1902), which can be found in the Creative Archive on the British Film Institute website. This adaptation of Hans Christian Andersen&#8217;s fable of the same title is a moving account of a destitute girl whose visions of warmth and [...]]]></description>
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